Art Basel Miami Beach welcomed more than 75,000 visitors across its five days (down from last year’s reported attendance figure of 79,000). The fair brings to a close a packed Miami Art Week, which featured a slate of glitzy parties, events, and art fairs, including Untitled Art and NADA.
This year, the total price for the 100 most expensive lots sold at auction totaled just shy of $1.8 billion, compared to $2.4 billion in 2023 and $4.1 billion in 2022. Only one work—René Magritte’s L’empire des lumières (1954)—sold for more than $100 million, compared to two last year and six works in 2022.
Buenos Aires-based gallery Rolf Art presented "La vida secreta de las flores" ("The Secret Life of Flowers") by Argentinian-Peruvian artist Julieta Tarraubella. This series, described as a "cyborg-garden," utilizes time-lapse technology to document the metamorphosis of various flowers, blurring the lines between nature and technology. By closely examining the life cycles of these plants, Tarraubella reflects on themes of beauty and decay.
MoMA PS1 has received a $1 million donation toward the funding of future exhibitions from the Teiger Foundation. This will support exhibitions by MoMA PS1’s curatorial team, which includes Jody Graf, Elena Ketelsen González, and Kari Rittenbach. Using money from the fund, those curators are already organizing upcoming solo exhibitions by artists Julien Ceccaldi, Whitney Claflin, and Sandra Poulson, respectively.
As it does around this time every year, Google has released its “Year in Search,” reminding you just how much this giant corporation knows about your thoughts and desires. Mainly this year, web-searchers seemed to be wondering, “Why do men think about the Roman Empire so much?” But as usual, there are a few art-related insights in the mix. Turning first to the “Global” results, the Year in Search offers up a ranking of the most-popular museums in the world, as measured by Google Maps interest. They are:
Picks are: Louvre Museum, Paris, France The British Museum, London, United Kingdom Musée d’Orsay, Paris, France Natural History Museum, London, United Kingdom teamLab Planets, Tokyo, Japan Rijksmuseum, Amsterdam, Netherlands Museo Nacional del Prado, Madrid, Spain Van Gogh Museum, Amsterdam, Netherlands American Museum of Natural History, New York, New York and Anne Frank House, Amsterdam, Netherlands
Refik Anadol and his studio are known for transforming architectural spaces and façades into giant canvases for live media arts. He creates site-specific public art and data sculptures, often paired with live audio/visual performances and immersive installations.
Sarah Meyohas is a visual artist working across media. For her project Cloud of Petals, she staged a performance at the site of the former Bell Labs. Sixteen workers photographed 100,000 individual rose petals, compiling a massive dataset.
Sofia Crespo is an artist working with biology-inspired technologies. Her current focus is exploring how organic life uses artificial mechanisms to simulate itself and evolve – and the implication that technologies are a biased product of the organic life that created them, and not a completely separate object.
Abreesha studied various aspects of form, space, and color manipulation during her attendance at the distinguished Otis College of Art + Design, based on the west coast of Los Angeles. She creates artwork that inspires, reiterates self-love, and emphasizes development.
Using cutting edge technology in interactive installations, audio-visual experiences, visual narratives and dance performances, Mio continuously illuminates the beauty and drama of human identity. He publishes his work on mobile applications, digital projections and theater stages around the world.
Jean-Luc Almonds work is greatly influenced by Victorian photography and black and white film stills. Jean-Luc’s obsession with the materiality and texture of the paint creates tension within the thick surfaces of his paintings. He finds this truer to human experience, uncontrolled, imperfect, not static but shifting and in flux.
Åsa Jungnelius, born 1975, is an artist who takes on assignments as a designer to reach a wider audience. Her work as a designer is a reflection of her art, which is powered by working with questions and issues that she finds interesting. When she designs, she takes pieces of her artistry and makes it available - an example is the collection Make-up that she created for Kosta Boda as a mini version of an art installation.
Åsa finds inspiration in her own reality. She is interested in how materiality, space and objects change and affect people, our relationship to each other and our surroundings, as well as how it reflects our time. She doesn’t see art as something separate from our lives, and considers it relevant to be involved in designing our surroundings. For her as a designer, it's about the atmosphere she can create in those environments, and she loves to create things aimed at a wider audience and to create the reality of where people are.
Åsa has worked with glass as a material since she was 17. She has worked with Kosta Boda since 2007, and today she’s also a lecturer at the University of Arts, Crafts and Design (Konstfack). She has previously initiated and run Residence-In-Nature, WeWorkInAFragileMaterial and LASTSTUDIO. One of her larger works includes the art installation Snäckan (Seashell), which in a tribute to motherhood will embrace the upcoming metro station Hagaplan in Stockholm. Over the years, she has received a number of awards - for example, she’s been named Designer of the Year in Sweden by both FORM AWARD and EDIDA (Elle Decoration International Design Award), she’s a two-time winner of the Elle Decoration Swedish Design Award, and has received both the Form Award and the Bukowski Born Classic for her designs.
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