As the global art fair circuit continues to thrive, gallery booths are no longer simply functional spaces for display—they’ve become curated statements, immersive environments, & powerful tools for brand identity. From Frieze to Art Basel, TEFAF to Independent, galleries are rethinking their approach to booth design...
Beyond Material, a compelling group exhibition that explores the evolving language of form, texture, and transformation in contemporary art is causing waves at Lehmann Maupin. The show challenges conventional understandings of materiality—blurring the boundaries between surface and structure, object and idea.
Buenos Aires-based gallery Rolf Art presented "La vida secreta de las flores" ("The Secret Life of Flowers") by Argentinian-Peruvian artist Julieta Tarraubella. This series, described as a "cyborg-garden," utilizes time-lapse technology to document the metamorphosis of various flowers, blurring the lines between nature and technology. By closely examining the life cycles of these plants, Tarraubella reflects on themes of beauty and decay.
MoMA PS1 has received a $1 million donation toward the funding of future exhibitions from the Teiger Foundation. This will support exhibitions by MoMA PS1’s curatorial team, which includes Jody Graf, Elena Ketelsen González, and Kari Rittenbach. Using money from the fund, those curators are already organizing upcoming solo exhibitions by artists Julien Ceccaldi, Whitney Claflin, and Sandra Poulson, respectively.
The art market has once again demonstrated its resilience and appetite for blue-chip and historically significant works. In recent months, major auction houses including Christie’s, Sotheby’s, and Phillips have seen record-breaking sales, with collectors vying for rare masterpieces and iconic names.
In there, there, Alexandra Noel presents a quietly powerful new body of work that continues her exploration of intimacy, scale, and the fragile intersections of memory, technology, and the body. Known for her intricately small-format paintings, Noel renders moments that feel at once deeply personal and uncannily detached—like fragments of a dream or distant echoes of lived experience.
At Para Site in Hong Kong, artist Wing Po So presents Take Turns, a solo exhibition that unfolds as both a quiet alchemy and a philosophical excavation. Known for her material-driven practice rooted in traditional Chinese medicine, botany, and ancestral memory, So’s latest body of work is a meditative inquiry into transformation—biological, spiritual, and cosmic.
The exhibition’s title, Take Turns, suggests a choreography of cycles—between states of being, between human and non-human, between life and decay. This is reflected in So’s use of natural materials: crushed herbs, minerals, and organic matter are not just mediums but living agents, infused with meaning, memory, and medicinal histories.
Googles has released its “Year in Search,” reminding you just how much this giant corporation knows about your thoughts and desires. Mainly this year, web-searchers seemed to be wondering, “Why do men think about the Roman Empire so much?” But as usual, there are a few art-related insights in the mix. Turning first to the “Global” results, the Year in Search offers up a ranking of the most-popular museums in the world, as measured by Google Maps interest. They are:
Picks are: Louvre Museum, Paris, France The British Museum, London, United Kingdom Musée d’Orsay, Paris, France Natural History Museum, London, United Kingdom teamLab Planets, Tokyo, Japan Rijksmuseum, Amsterdam, Netherlands Museo Nacional del Prado, Madrid, Spain Van Gogh Museum, Amsterdam, Netherlands American Museum of Natural History, New York, New York and Anne Frank House, Amsterdam, Netherlands
Åsa Jungnelius, born 1975, is an artist who takes on assignments as a designer to reach a wider audience. Her work as a designer is a reflection of her art, which is powered by working with questions and issues that she finds interesting. When she designs, she takes pieces of her artistry and makes it available - an example is the collection Make-up that she created for Kosta Boda as a mini version of an art installation.
Åsa finds inspiration in her own reality. She is interested in how materiality, space and objects change and affect people, our relationship to each other and our surroundings, as well as how it reflects our time. She doesn’t see art as something separate from our lives, and considers it relevant to be involved in designing our surroundings. For her as a designer, it's about the atmosphere she can create in those environments, and she loves to create things aimed at a wider audience and to create the reality of where people are.
Åsa has worked with glass as a material since she was 17. She has worked with Kosta Boda since 2007, and today she’s also a lecturer at the University of Arts, Crafts and Design (Konstfack). She has previously initiated and run Residence-In-Nature, WeWorkInAFragileMaterial and LASTSTUDIO. One of her larger works includes the art installation Snäckan (Seashell), which in a tribute to motherhood will embrace the upcoming metro station Hagaplan in Stockholm. Over the years, she has received a number of awards - for example, she’s been named Designer of the Year in Sweden by both FORM AWARD and EDIDA (Elle Decoration International Design Award), she’s a two-time winner of the Elle Decoration Swedish Design Award, and has received both the Form Award and the Bukowski Born Classic for her designs.
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